January 17, 2013

Ioan Stan Patras, Cimitirul vesel/Merry cemetery


pictures courtesy of Norman Carson

The small Romanian community of Sapanta has become famous because of its graveyard, crowded as it is with decorated tombs. From the thirties of the former century on, one of its inhabitants has created hundreds of wooden tomb decorations, transforming the graveyard into kind of a folk art environment. 

Life and works

Born in a Sapanta family that lived there for centuries, Ioan Stan Patras (1908-1977), already as a youg man was active in painting, writing poetry and wood sculpturing. As an adult he was commissioned to sculpture tombstones, tradionally made from oak wood.

For the first time in 1935 he added  texts to the wooden tombstones, describing in the first person and in the locally spoken language the character, the profession or a life event of the deceased. 

Soon he would also add a brightly painted sculpted relief depicting that epitaph. 
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Such a way of  dealing with death would fit in the prevalent communal religious view, which considers the soul as immortal and sees death as a joyful passage from earthly misery to a better life afterwards. This is reflected in the willingnes of the inhabitants to order similar decorations in the course of the following years. I came along the information that Patras' approach has been approved, and suggested by the local priest.

As far as I understand Patras somehow has patented his way of working, and he evidently has been succesful in positioning his one-man company as monopolist. All together during his life he has made some 700 decorative structures.


Patras used a specific blue color for the background of his decorations,  painting the scene in a folkish, naive style in primary colors. His texts would describe the deceased in a common way as he or she was in the memory of the villagers, all together relating the tragedies and joys of the community.

The decorations and inscriptions are quite interesting to be studied from various points of view: linguistic, artistic and anthropological

After Patras died, in 1977, his work has been continued by his pupil Dumitru Pop, who went to live in Patras' house, near the graveyard, a house that nowadays also can be visited as a museum.

The graveyard has become a touristic site

The graveyard nowadays is on Unesco's world heritage list and it is among Romania's important tourist spots. It is visited by thousands of tourists, who -unlike the locals- pay an entrance fee to see the site.

Some documentation/more pictures
* Bruno Mazzoni, Le iscrizioni parlanti del cimitero di Sapanta, Pisa (Ed Ets), 1999 -334 p
* Ioan Pop-Curseu, Some observations of the anthropological basis of artistic practice: the merry cemetery, Sapanta (Maramures) (available in PDF on the internet)
* Sanda Golopentia, The merry cemetery of Sapanta (available in PDF on the internet)
* Pictures by New York photographer Peter Kayafas on his website (with epitaphs translated into english); also published as a book (2007); a video version (7'58") on Youtube:


Ioan Stan Patras
Cimitirul vesel  
Sapanta, Romania
can be visited by the public

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