4. A general introduction

Outsider environments

They build a castle-like structure in their backyard, embellish exterior and interior walls of their house with frescoes or mosaics from broken pottery or shells, or they make a lot of wooden or concrete sculptures they display in their garden, or they make sculpures in nearby rocks.... 
And they will do such projects for many years, even decades, just without having had any professional training in this field, without claiming that what they are doing is art, without thinking they could make any profit by being creatively active this way.......

Some have become famous, like the french postman Joseph Ferdinand Cheval (1836-1924), whose Palais Idéal in Hauterives, France, attracts over 100.000 visitors a year. And like Picasiette, a nickname for Raymond Isidore (1900-1964), who fully decorated interior and exterior of his house in Chartres with mosaic, nowadays a museum, a simple man whose nickname has become a generic term for mosaics made from found broken pottery.

But more often these creative people remain unknown by the general public and in general it is more likely that after their death their creations remain neglected and eventually detoriate or will be demolished..

This weblog is about these people and the sites they created or are creating nowadays.

In the United States these sites are called "visionary environments" or "art environments", and they are rather well inventarised and documented both in print and on the internet.

Although in Europe on national levels sites have been documented in print and on websites/weblogs, the internet has  no systematic inventarisation on a european level of these sites, so that's why I began this blog.

This inventory and documentary of outsider environments in Europe, so far, is an ungoing project.

Outsider environment

An outsider environment arises when someone without relevant professional training embellishes his/her place of living with decorations, paintings, mosaics, sculptures and/or structures/installations, in general doing this during many years and with a lot of passion.

A place of living mostly will be a private house and/or a private garden. Occasionaly it will be a plot of (private, sometimes public) land near the author's place of living.  In a small number of cases it could be the community where the maker resides (François Michaud from Masgot, the Naveira brothers from Betanzos), or a nearby forest/natural area seen as habitat (Rapeau, Császár, Pujiula, Wilson).

Someone who makes an outsider environment can do this because he or she later in life wants to realize a childhood dream, wants to have something to do when retired, wants to make something beautiful, is inspired because of a dream, follows a vision, wants to convince fellow citizens of a religious view, wants to show that ordinary people can perform something great, and often these creators say they just stumbled into their project.

People who create outsider environments do not start their project to make money out of it. Maybe, they expect a small donation from eventual visitors, but the creations in general are not for sale and are not made to be sold. Some outsider environments however have become famous and turned into touristic spots, which provide a nice contribution to the local economy (Facteur Cheval, Picassiette).


A word about the term outsider  This blog almost exclusively introduces common people who did or still do something very special in the field of human creativity. They spend many years of their life in embellishing their place of living, and they are doing this in an incredibily intensive and passionate way.

So far I couldn't find an easy to use term that summarizes these qualities. The terms visionary, used in the USA and inspiré, used in France, come close. And I also like the recently introduced Italian term babelici, referring to the passionate builders of Babel.

But then, when in 2008 I started this blog, I was not yet very much acquainted with these terminological issues, and I just used outsider because of its association with outsider art, a field -by the way- where one will  find above qualities in its most renowned representatives..

I am acquainted with the discussion about the somewhat discriminating aspects of the term "outsider" when interpreted as denoting people who are at the margin of society, which in general is not true of most creators of environments presented in this blog.

I also follow the actual discussions about outsider art becoming en vogue within the art world, outsiders so to say becoming insiders, and comparable discussions. It is very interesting to see where this discussion is leading to.

However, as long as this discussion has no generally accepted result and as long as there is no generally accepted other term, I will use outsider in my blog, using it in the neutral sense of non-professional.

As in this way, outsider in general refers to someone who early in life had no formal traning in painting, sculpting or building and who in contrast to a professional does not earn his/her living by making paintings, artworks, sculptures or architectonic structures.

However....outsider...insider... it's better to accept that boundaries are fluid and can change over time.

So it will hapen that I write about someone who was educated in an art school, but then kept far away from the art world, like Chomo, or was not accepted by the art establishment, like Karl Junker.

And what about creative people such as Sue Kreitzman, F. Spiktri and Peter Buch. In my view they are part of the fascinating world of (outsider) art environments and I am pleased most of them appreciate an entry in this blog.


My blog is about creative activities, so my frame of reference is cultural, and not political or economic*.

Geographically speaking Europe is the landmass west of the Urals, which stretches to where the Atlantic Ocean begins (including off shore islands like Mallorca and Iceland). From a broad cultural point of view the countries on that landmass have a lot of common characteristics.

So in my blog I will deal with environments which are located in these countries.


In a number of cases I will be prudent in giving details of the specific location of an environment, especially when its author wants to remain anonymous. Indeed, I have refrained from writing about people who have indicated they do not want to be named in media.

And then I will be careful when a site is a sculpture garden which can easily be visited by people with wrong intentions. Outsider art nowadays has become a valuable and theft of smaller items has occurred.

* The many appearances of "Europe" in as far as states formally co-operate, have been depicted in this "map" (March 2011) on the website Strange Maps