Zenon Kosater, Ogród rzeźby/ Sculpture garden

pictures courtesy of Zenon Kosater

In the small community of Trezepowo (part of the municipality of Przywidz) in the Pomeranian area in the north of Poland, there is a garden with a variety of multicolored wooden sculptures made by self taught sculptor Zenon Kosater.

Life and works

Kosater was born in september 1955. When in 1978 he was in the second year of his conscription in military service, he felt a bit bored, so with a friend he set up a project to practice manual skills such as building small wooden constructions and other creative activities.

Kosater himself focused on woodcarving, creating his first bas reliefs.

These first steps in the field of woodworking would shape his further life. Gradually he began to make larger pieces, also with parts of a tree as material, initially at times as a birthday presents or for family celebrations, but eventually it became his full time occupation.

Currently Kosater is in his mid 60 s. He lives in Trezepowo and the garden around his house has a display of a variety of his life-size sculptures,  that are mostly painted in a multicolored way and often portray saints or other religious characters. 

But he also portrays non-religious characters such as Pegasus the winged horse, a mermaid and a rider on a horse, apart from the many smaller sculptures and reliefs he also produces.

Kosater has sold a variety of sculptures to tourists and other visitors. He also shares his artwork with young people, because he wants to stimulate them to become interested in art. 

From that perspective, Kosater also enjoys receiving school classes and other interested visitors at his site. Occasionally he will teach small groups sculpting.

Documentation

* Article by Arkadiusz Gancarz (dec 2004) on Naszemiasto website
* A series of pictures by Piotrek on polish photo-website Flog

* Mention of Kosater's work in website Zmysly Kasub about Kashubian folk art
* Referral to the site in a regional touristic folder

Zenon Kosater
Sculpture garden
Trzepowo 16 
83-047 Przywidz
visitors welcome

Anežka Kašpárková and Marie Jagošová, Zdobená kaple/Decorated chapel

 this picture and the next three from website Boredpanda

In recent years, photos as above with an elderly lady adding blue floral motives to a white wall, have been frequently shared on Facebook and other social media.

The elderly lady, Anežka Kašpárková, has passed away in march 2018. She was in her early 90's.

The white wall is part of an old chapel in the small Czech community of Louka in the South Moravia area of the Czech Republic, where Kašpárková lived.

Every two years in May, the walls of the chapel were whitewashed and after this Anežka Kašpárková would begin to apply the decorations, a project that would take some 11 days of work and included working on a scaffold.

Life and works

Anežka Kašpárková was born in the late 1929's  Probably all her adult life she has worked in agriculture, cultivating plants, until she retired in the late 1980's. 

In those years it was (still) a tradition in the village to decorate white walls of houses with flowery motives, in general using paint in a bright ultramarine color. Usually a small group of self-made artists, mostly women, was available for inhabitants to do the decorations.

detail of Kašpárková's artwork

Once retired Anežka Kašpárková, instructed by a woman named Maňák who had belonged to the group, became proficient in arranging decorations on houses. She would be active in this field for some thirty years, but at one time she was the only one with this specific competence.

When Anežka Kašpárková had passed away, the mayor of the village expressed the hope that someone would succeed her in taking care of decorating the chapel. And indeed, at the end of april 2018 it has been reported that Marie Jagošová, a family member, was available to take over Anežka Kašpárková's volunteer job.

The picture below shows she has already begun to re-decorate the chapel.

Marie Jagošová at work (picture by Czech TV)

Applying decorations to houses evokes the comparison with similar activities in the Polish village of Zalipi, where a tradition in this respect currently is still widely honored.

Documentation

* Article (undated) with a variety of pictures on website Boredpanda
* Article (april 27, 2018) on the website of regional Czech TV

Anežka Kašpárková and Marie Jagošová
Decorated chapel
Louka, South Moravia, Czech Republic
decorations will be renewed every two years,
decorated chapel can be seen from the street

Michel Rousseau, Le jardin aux pierres perdus/The lost stones garden

pictures courtesy of Sabine Campion (Le Mille-Pattes)

Along the departmental road D 303 near Bessé-sur-Braye in the Sarthe area in France, there is a singular garden filled with a variety of meters-high cylindrical constructions with a domed top, made entirely of stacked stones.

Life and works

This art environment was created by Michel Rousseau, who was born in 1936 in Savigny-sur-Braye.

After his primary education he for some time was employed as a farm hand until he was called for military service. After this he trained and worked as a mason with the Compagnons du devoir, to finally settle in Bessé-sur-Braye in 1978, where he had job in a factory and where he met his wife.

Retired in 1996 Rousseau increasingly felt the need to fill his days with activities where he could use his manual skills and where he could feel united wit the earth under his feet.

In 2004 he bought a piece of land along the D303 not far from the house where he lives. A pile of building material left on that land inspired him to use this material to build these typical cylindrical dome topped structures.

Such buildings do not have their own name in French and may be referred to as cabanes or maisonettes. The site as such does not have its own name either.

When Rousseau was asked about this, he said that the site can be regarded as le reposoir Sarthois (the Sarthois repository). A reposoir is a place where one can rest or make a stop and the term can also indicate a place to temporarily shelter the religious icon which is carried around during a procession.

Since Rousseau decorated one of his constructions with a found street sign with the designation Rue de la pierre perdue (Street of the lost stone), the site is also named after lost stones.

The connotation of Rousseau's art environment is indeed that of stones that, after having been used elsewhere, now have a place where they can stay quietly and from an ecological point of view are not wasted.

This also goes for the various other items Rousseau uses to decorate the structures, such as pots and pans (as in above picture), but also items that have been found or bought in flea markets such as figurines, flower pots, car wheel covers or bottles.

Very characteristic of Rousseau's working method is that he simply stacks the bricks, and so does not use cement or grout to achieve the strength of the structures, the highest of which measure about 4 meters. 

In the field of art environments such a method is rather rare. In France Auguste Bourgoin's towers have been constructed in this way and in Italy Manfred Flucke makes structures by stacking stones.

Rousseau who currently (2018) is in his early eighties, is still active in adding new items to the site which meanwhile includes some thirty built structures.

The site can be seen from the street and when he is present Rousseau will be happy to meet visitors

Documentation
* Article (april 2013) on Jean-Michel Chesné's weblog (includes a series of pictures)
* Article (september 2015) on website Actu France
* Article (december 2016) on website Le Mille-Pattes
* Article (august 2017) in regional newspaper La Nouvelle Republique

Video

* Video by TV France 3 on Facebook (2018, 2'33")

Michel Rousseau

Jardin aux pierres perdus

along the D303

Bessé-sur-Braye, dept Sarthe, région Pays de la Loire, France

can be seen from the road

streetview (2016)

Emilan Grgurić, Eden, Park i kipovi / Eden, park and statues

all pictures except the last one
courtesy of Pavel Konečný

Above picture shows part of a sculpture garden in Kukljica, a small community on the Isle of Ugljan in Croatia. Although an extensive series of photographs was published in 2016 (see documentation), this art environment remained undocumented on the internet until in September 2018 Pavel Konečný for the first time reported about it.

a picture of the artist

Life and works

Currently there is no biographic information available about Emilan Grgurić, who created this site, except that he was born in 1919 and passed away in 1997.

Pavel Konečný has reported that Grgurić for some thirty years has been active in transforming house and garden into an art environment, so it might be that Grgurić began in the 1960's when he was in his forties.

Konečný has also reported that the garden of some 2000 m² includes some 35 statues made from concrete and that the interior walls have been decorated with some 20 large-scale concrete high reliefs.

Grgurić's sculptures from concrete (left above a self-portrait), which in general demonstrate a high-quality way of working in a rather classic and realistic style.  

The sculpture below with five people (a couple with children?) on an elaborately worked pedestal, shows what performance Grgurić was capable of. The garden has a number of such large constructions provided with sculptures.

The living house

The house on the property, named Villa Katarina after Grgurić's mother, has a ground plan of a four-leaf clover and was designed and built by the artist himself.

The facade of the house, as in above picture, has a rather striking design. On its top there is a sculpture that represents Grgurić's mother.

One can assume that this house can be classified as a singular architecture.

A large number of wall decorations in the interior

The interior of the Villa includes another part of this art environment, which  consists of some 20 scenes added to the interior walls.

These scenes include for the most part small-scale two- or three-dimensional items of cement, which are placed on walls of a specific deep red, green or blue color.

There are scenes in which various people can be seen in all kinds of poses, many in a certain way active mostly without any connection between these activities. These scenes may relate to biblical stories, Croatian history and Greek mythology.

Some walls have inscriptions, such as the one in the picture below, entitled Emilanovih Istina (Emilian's truth). Just to give an impression of Grgurić's thoughts, here is a (provisional) translation of the text, produced with Google Translate:

Emilian's truth

the spirit created the body 

the body overcomes the spirit

 it is true and lazy

 it is difficult to have a lucite of truth

 there is only a lie or not

 the sweetness of happiness blurs the spirit 

 the slack is sweet

 the real truth rarely when it is direct

 I learned from the truth that you have freed the spirit

this picture by Darko Grundler, 
from the series mentioned in the documentation

Other walls as well as a number of statues in the garden also are equipped with inscriptions.

It is be hoped that a documentation and description will be made of the various elements of this art environment, which can be considered as one of the important sites in Europe. Knowing Pavel Konečný he will certainly take action to that end.

Documentation
* as said above with regard to this art environment, the internet until recently had no textual documentation
* however there is a public photo series available, made in 2016 by Darko Grundler
* and in september 2018 Konečný reported about his discovery on SPACES website
Videos
* in september 2018 Konečný also published two videos on Facebook, 2018. the first one presenting the reliefs on the interior walls.

And a second one presents the sculptures in the garden

Emilan Grgurić
Eden, Park i kipovi
Kukljica, Isle of Ugljan, Croatia

this art environment is not open to the public

Alexander Fateev, Скульптор из Долгопрудный/Sculptor from Dolgoprudny

 pictures from the site on VK of the community

 "Alexander Fateev, sculptor from Dolgoprudny"

In Dolgoprudny, a town in the northern part of the agglomeration of Moscow, Alexander Fateev has created an art environment amidst a lively urban area.

Life and work

Born probably in the late 1950's Alexander Fateev was trained as a cook, a profession he also practiced during his years in military service. In 1981 he started a shoe repair shop in Dolgoprudny along the Ulitsa Sportivnaya. The workshop is located on a square surrounded by trees near the municipal theater (theater Gorod).

In 2005 Fateev started a project to beautify the environment of the workshop. The beginning was that he cut colored plastic bottles into pieces which he added together into colorful flowers that were hung in the trees around the shop. 

Fateev also made colored translucent bulbs with lamps. 

Hung in the trees these creations produce an attractive illumination, which in wintertime -especially around Christmas- is an atmospheric attraction that receives a lot of interest of passersby.

However, Fateev's art environment is characterized in particular by his sculptures made of metal. Using empty gas bottles and pieces of sheet metal, he has created a variety of characters that are set up around the shop or on its roof. 

One of his first creations in metal was a tough woodcutter and then he made a woman with a youngster, as in above picture. 

And there are wizards, aliens, fantasy and cartoon characters, a variety of animals such as the cat Masha and the dog Zuzha (well known toy and fairytale characters in Russia), but also a life-size crocodile in a small pond.

Fateev also made a number of wooden structures, such as some unusual birdhouses hung in the trees. And located on the site around the shop, a small wooden building that mimics Baba Yaga's hut  can be entered by young visitors.

To counter vandalism, the sculptures on the site around the store are firmly anchored in the ground with a fastening of up to one and a half meters.

But it has happened that someone damaged a metal stork on the roof and Fateev had to work on recovery for hours.

In spite of such a happening, Fateev remains faithful to the goal he had in mind when he started his project, namely to contribute to embellishing the city. 

The local authorities appreciate his activity, as evidenced by a diploma that the city awarded to him in 2014.

Documentation

* Site on VK of the community "Alexander Fateev, sculptor from Dolgoprudny"

* Interview (march 2016) with a regional newspaper on website mosregtoday

* A collection of three articles in local newspapers (May 2010, May 2012 and September 2013) on the website of the library of  Dolgoprudny

Video

* Video (March 2016, You Tube, 0'.57")

Alexander Fateev

Sculptor from Dolgoprudny

Ulitsa Sportivnaya  (near theater Gorod), 

Dolgoprudny, Moscow Region, Russia

visitors welcome

Jean-Luc Guillou, La vie en rose/Life in pink

 pictures are screen prints from Serflac's video 

Above house, exuberantly decorated in a various ways, is located along the D787 departmental road in Brittany, France, near la Villeneuve (a community of Calac).

Life and works

This art environment has been created by Jean-Luc Guillou, about whom no biographic information is available, except that his job involves making music at regional markets with a classical street organ (a Limonaire).

Judging by the colorful decorations and the accompanying texts Guillou could be a lively person. The recommendation in above picture says Vie donc joyeux. Qu'importe l'avenir. Rève (Live happily. What does the future matter. Dream).

And a decorated cabin around the house is referred to as La vie en rose (Life in pink),  what could be a suitable name of this to my knowledge nameless art environment.

The decorations have been added to the walls by paint and they may represent flowers or all kinds of small motifs. Attached to the walls there are also various smaller items, such as jars, moons, faces, washers, usually vividly colored.

Apart from the decorations and texts on the walls, Guillou has been making various constructions from metal items such as old oil drums, drain pipes and garden tools, which depict a light house, a play set or a funny character. as in the picture below.

Facing Guillou's house, on the other side of the road, there is a topiary hedge in the form of two large snake-like creatures that look at each other, as in the picture below.

Compared with the way in which the house is decorated, the making of such a topiary seems to be of a quite different nature. so it's not obvious that Guillou is it's author. The internet does not provide any information about this.

Documentation

* Entry (september 2015) on Sophie Lepetit's weblog
* Video by Serflac (1'03", You Tube, may 2018)

Jean-Luc Guillou

"La vie en rose"

Callac, dept Côtes d'Armor, region Brittany, France

can be seen from the street 

(along departmental road D787 at the exit to La Villeneuve)

streetview

Ernest Wahr, Trpasličí skála / Dwarfs rock

 pictures by Pavel Konečný

Czech Switzerland, also known as Bohemian Switzerland, is a touristic area in the north west of the Czech Republic, north of Prague,  characterized by a a lot of natural beauty, in particular rocks of sandstone.

A specific touristic spot is the art environment named Trpasličí Skála, an ensemble of sculptures of dwarfs carved into the rocks in a rocky area high above the road between Jetřichovice and Rynartice.

This art environment originated in the 19th century but the available sources on the internet give different information about who created the site and when it was started. Some sources mention that Eduard Vater was the creator, starting the work either in the early 1830's or in 1870, other sources say it was Ernest Wahr, who began in the early 1830's.

Following Andrea Svitáková who in her doctoral dissertation about Stanislav Rolinek (see documentation) sideways mentions the Dwarfs Rock, in all probability a native stone mason named Ernest Wahr in 1833 created the rock sculptures, while a local farmer named Eduard Vater around 1870 has been working with the rock, probably taking care of maintenance and repairing the path that leads to the site, a project that later was completed by his son Ernst, who died in 1882.

In making his creation, Wahr may have been inspired by a local legend concerning an old poor woman collecting wood in the forest, who got into trouble and was rescued by a number of dwarfs popping up out of nowhere.

The art environment includes a number of separate sculptures in relief of dwarfs in various poses, such as reading a book, crawling up on hands and feet or just sitting. A relation with the fairytale of Snow White and the seven dwarfs seems also obvious.

For decades the site was only known locally. Not much attention was paid to it and the sculptures became covered with moss.

In the 1980's, especially because of increasing tourism, the significance of the site was recognized. In 1989 the sculptures have been cleaned and repainted and the access stage of the site has been improved.

This art environment has now also been included in a list of protected monuments.

Documentation
* Andrea Svitáková, Stanislav Rolinek a sochartstvi v prirode (Bakalářská diplomová prác. Masarykova univerzita. Filozofická fakulta), Brno, 2010.The relevant text is on p. 40 and footnote 146

* Documentation of the site as a cultural monument

* More pictures by Pavel Konečný on Facebook

* The internet has a variety of sites about this art environment, which in general refer to the creations from a touristic point of view, for example vybezek and Turistika Ceské Syýcarsko

Ernest Wahr
Dwarfs rock
along the road from Jetřichovice to Rynartice, not far from Rynartice
Děčín district, Czech Republic
the spot is marked with a small sign on a pole along the road
streetview