Laurent Delion, Maison decorée / Decorated house

this picture and the other ones published here with friendly

permission of photographer ©Vincent Clémot

The photo above shows a nameplate attached to the left of the entrance door of a house in Saint-Jean-d'Assé, a French municipality with about 1000 inhabitants, located 20 km north of the city of Le Mans. 

The other parts of the house and the associated buildings are just as lavishly decorated. 

Let's go take a look

the house as seen when approaching it from the D338

©Vincent Clémot

Creating an art environment

The house is located on the left side of the D338, a few kilometers north of the center of Saint-Jean-d'Assé. 

When Laurent Delion, a former painter in construction, and his partner Jeannine in 1997 moved into the property, both the living house and the accompanying barns had been plastered almost entirely white.

a closer view of the house, seen from the D338

©Vincent Clémot

Once settled, Delion soon started decorating the walls of his new home and when he was interviewed by Radio France in October 2016, the exterior walls were already heavily decorated with all kinds of items, but no mosaic had yet been applied. 

These mosaic applications were added in the period after 2016 and are present in later photos, such as the ones in this post.

front view of the house

©Vincent Clémot

Viewed from the road, the site now comprises a first section with a decorated barn and a fence, this section merging into the main house with decorated front and side facades. Then the main house has a decorated extension again.

The decorations are of three kinds: numerous colorful items, mosaic decorations and textual elements.

A large variety of decorative items

As for the various items that act as decorative elements, Delion has said it all started with a scooter, a simple wooden object, placed on the edge of the roof. 

To obtain more objects, Delion visited garage sales, thrift shops and similar places where old things can be obtained for little money. Over the years, his passion for collecting these items has resulted in an extensive collection of  all kinds of objects, such as dolls, buddhas, columns, statues of saints, milk cans, toys, just to name a few. 

In addition, Delion also manufactured certain items himself. Everything that has been made of iron or concrete, such as structures of chains, iron uprights, tubular pillars or concrete pedestals with birds, comes from his hand.

Placed on the roofs, hung on the outside walls and gathered on the tiled strip at the front of the barn and the house, the items lose their functional meaning and merge into the whole that as such acquires its own identity and appearance.

Mr Delion welcomes visitors 

©Vincent Clémot

Mosaic decorations

The mosaic decorations have been applied in recent years, especially on the left side and the front of the house. 

In part, these mosaics fill the white space between items previously mounted on the wall, but to a greater extent they have an autonomous decorative function, for example when arranged around a newly applied image of a person's face, a piece of heraldry or a Madonna. 

The items and images around which the mosaic decorations have been grouped are so numerous that almost every piece of wall displays its own theme, such as in the image below, for example, both a milkmaid and a crocodile decorate the wall (the other animals are in front of the wall).

©Vincent Clémot

This way of arranging implies that these themes can only be observed up close, and that their specific meaning disappears and merges into a broader view if the decorations are looked at from some distance,

 

Most of the images in this post present the decorations from that broader view, which is a conscious choice, because this is the best way to give an impression of the design of this art environment as such.

Visitors of this blog who want to see the details of the decorations can check out the website with photos that can easily be enlarged, as referred to in the documentation below.

some textual elements in the front part of the site

©Vincent Clémot

Textual elements

In Delion's art environment the textual elements are rather common, so they deserve separate mention as an image-determining element.

There are posters with practical notices, saying, for example, that visitors are welcome, are allowed to take pictures, are asked to respect the times when the meal is consumed and not to turn their car in view of the neighbours. 

But there are also textual expressions with a more aphoristic meaning, such as this one:

  Avoir une pair de mains, c'est bien. Mais savoir s'en servir, c'est mieux, n'est ce pas ? (Having a 

  pair of hands is good. But knowing how to use it is better, isn't it?)

Or this one:

  Je suis comme le bon vin, je vieilli bien (I'm like good wine, I age well)

Some decorative items have been provided with an explanatory text, such as an image of a rooster, which states Je suis le coq du village (I am the rooster of the village) or the explanation on a sign with a key, saying La clé du paradis (The key to paradise).

And, characteristic of the years 2020 and 2021, there is an inscription in which the healthcare staff of hospitals is thanked.

view of the site from the rear part
©Vincent Clémot

The image above completes our tour of Laurent Delion's art environment.

And, by the way, speaking of "complete", Delion has recently indicated that by now he considers his creation to be more or less complete.

Documentation

* Article (October 2016) in French journal France Bleu (Ed. Sarthe)

* Article (October 2019) in French journal Ouest-France (nice photo, but most 

of the text only for subscribers)

* A series of photos (August 2020) on the website of photographer David Legoupil

Laurent Delion

Decorated house

along the D338

Saint-Jean-d'Assé, dept Sarthe, region Pays de la Loire, France

can be seen from the street

visitors welcome

streetview (2019)

Edmond Delaporte, Au Moulin Fleuri / At the Flowery Mill

picture courtesy of Sylvie Perrot-Clemot

The French community of St-Pierre-du-Vauvray, a town of some 1300 inhabitants, located about 120 km north-west of Paris, lies on the left bank of the Seine. The towpath that used to be on that bank is partly still present. It starts where the Quai de Seine, located in the town's built-up area, ends.

Along this former towpath, now a rural road named route de l'Ormais, there is a sculpture garden referred to as Au Moulin Fleuri (At the flowery mill).

Life an works

This garden was created by Edmond Delaporte, who was born on June 11, 1934, in Blonville sur Mer, south of Le Havre on the Channel coast and died on November 6, 2020 in Evreux, about 25 km from St-Pierre-du-Vauvray.

The internet hasn't much biographical information about him. For example, it is not clear whether he practiced a particular profession.

With regard to the origin of the sculpture garden there is somewhat more information. It has been reported that in 1980 Delaporte acquired the land on which the garden would be laid out. This area, located along the above-mentioned former towpath along the Seine, was then still rather untidy.

this picture from the Facebook page of the 

municipality of St-Pierre-du-Vauvray, 

the next pictures courtesy of Sylvie Perrot-Clemot

Delaporte had a passion for making sculptures of rural scenes with animals and he bought the site along the Seine with the intention of transforming it into a sculpture garden. A self-taught artist, in 1980 he started the project, that would keep him engaged for over thirty years.

When Delaporte bought the site, he lived in Evreux, about 28 km south of St Pierre-du-Vauvray. He would live there all the years he was making sculptures, working on his creations in general during the winter months, using a garage as a workshop.

 

With his partner Marguerite, who supported him in every way in his creative activities, over the years he must have traveled many times up and down between Evreux and St Pierre-du-Vauvray.

The various images show that Delaporte's decades of creative activity have produced a lovely garden with a rustic feel, where sculptures are arranged in groups on small islands of gravel nestled in an area of green grass.

It has been said that Delaporte's creative work was inspired by that of Robert Vasseur (1908-2002), who transformed his house and garden in Louviers, a community some nine kilometers to the west of St Pierre-du-Vauvray, into an art environment. 

From the point of view of geographical proximity there is something to be said for this. 

Vasseur, however, incorporated a lot of mosaic into his creations and seen from the use of material the depiction of persons in Delaporte's work is more similar to that of René Escaffre (1921-2008), who enlivened his garden in Roumens, dept Haute-Dep. Garonne with scenes of daily life in rural villages in France as it was in the first half of the 20th century.

Considering the depiction of people as done by Delaporte, it seems that he worked from the same point of view. for example portraying farmers manually plowing with oxen.

The way Delaporte portrayed animals is also very similar to Escaffre's.

All this does not mean that Delaporte knew Escaffre's art environment. It's just a resemblance in their way of portraying humans and animals.

The garden has been saved for the future

As Delaporte got older, it became more difficult for him to maintain the garden, so he probably welcomed that in 2019, when he was 85, the Agglo Seine-Eure, a regional conurbation, was willing to buy the garden. 

The municipality of St-Pierre-du-Vauvray, part of this Agglo Seine-Eure, showed great commitment to the art environment within its borders when early July 2020 it arranged a major refurbishment, this with the help of a large number of volunteers from the city. 

The garden was stripped of too exuberant greenery that had grown up in many places, and paths between the different scenes with sculptures were renovated or re-laid.

Documentation

* A sign at the entrance to the garden gives some information about Delaporte

* Message on Facebook from the municipality of St Pierre-du-Vauvray regarding the death of Edmond Delaporte

* Another message of the municipality, this one about the refurbishment in July 2020

* The site had a review in Bruno Montpied's Le Gazouillis des éléphants. Paris (Ed. du Sandre), 2017 

Edmond Delaporte

Au Moulin Fleuri 

along the route de l'Ormais

St-Pierre-du-Vauvray, dept Eure, region Normandy, France

can be visited by the public

the route de l'Ormais can be closed for cars during 

summer holidays, this to maintain tranquility for residents 

Danuta Szudzińska, Dom z freskami wewnątrz i na zewnątrz / House with frescoes internally and externally

above picture has a view of the frontside of the house
via streetview; the other pictures are screenprints 
from the video referred to in the documentation

The picture above shows the frontside of a house in the small community of Łanięta -some 600 inhabitants- located in the centre of Poland.

This is the house where until recently Danuta Szudzińska (1946-2021) lived, a self-taught artist who has become known because of the fresco decorations she added both to the exterior and the interior walls of the house.

.

Although the very first image is not very clear, one can see that next to and below the windows on the left, geometric decorations have been applied, while under the decorated balcony at the right a scene with a person on horseback is situated. 

The two images above show some details of the scenes on the facade, left a fresco of a man and a woman, situated on the balcony behind the TV-receiving dish. 

The image on the right shows a scene with a man on horseback, followed by a woman, both dressed in an oriental manner, perhaps depicting Mary and Joseph's flight into Egypt. The image under the balcony itself, apart from this couple, also has two giraffes on the left and on the right a large animal standing on its hind legs, perhaps a bear.

The image above, made in May 2020, portrays Danuta Szudzińska in her mid seventies. Little or no information can be found on the internet about her life and work.  

Radek Labarzewski, who made he video referred to below and visited her in May 2020, said that she created  for herself and her loved ones. He noted that Danuta Szudzińska wasn't hurt by criticism, but that she was happy when someone appreciated her creations.

Because there is virtually no information available about her, comments and explanations on the frescoes she made, are also lacking in the public sphere.

So although the following images give a good impression of Danuta Szudzińska's way of paining the frescoes on the indoor walls, the accompanying texts contain a lot of assumptions.

Above a scene of probably a father with his daughters. The father, perhaps in a peasant smock, stands in the center, holding hands with two girls to the left and right, and these three stand in front of a portrait of two more girls.

The scene depicted above shows a winter landscape with a man in a sleigh, pulled by a horse, with farmhouses in the background.

 

The scene above, on the wall behind the ascending staircase, shows two people in a pleasant encounter, with a tree on the left and a structure that resembles a mill on the right.

Other women who decorated their interior with frescoes

In the field of art environments in Europe, there are some more examples of somewhat older women who added frescoes to the interior walls of their house, such as Polina Rayko (1928-2004) from Ukraine, Enni Id (1904-1992) from Finland and Bonaria Manca (1925-2020) from Italy. With regard to all three artists, after their deaths or prior to that, activities have been undertaken to give their house, including the works of art therein, a protected status, this in order to preserve the site for the future.

As for Danuta Szudzińska's art environment, it has been reported that the family is of the opinion that the decorations should be preserved for the future.

Documentation

* No articles about Danuta Szudzinska's work or similar resources have been found on the internet

Video

* Video on Facebook (0'.14") compiled in June 2021 with photos taken in May 2020 by Radek Labarzewski 

Danuta Szudzińska

Łanięta, Lodz region, Poland

no information available about visits by he public

some decorations can be seen from the street

streetview

 

Fer Geerts, Santorini in miniatuur / Santorini in miniature

this picture and the next four courtesy of
Fer Geerts, from his website

Bergen op Zoom is a municipality of about 66,000 inhabitants, located in the Dutch province of North-Brabant. 

Fer Geerts, a resident of this city has graced his garden with an extensive structure comprising miniature scenes inspired by the architecture of the Greek island of Santorini.

Geerts was born in the early 1950s and in the 1980s he and his wife passed various holidays in Greece. Inspired by the atmosphere of  the Greek islands, in 1987 he started building the model, an activity he shared with a lot of other activities. 

So all together, it would take him some thirty years to reach the magnitude the creation has today.

The image above gives an overall picture of the creation, which has a size of 2x4.5 meters. The entire structure stands on a platform composed of a number of separate modules, each of which can be moved independently. The interconnections of these modules, however, are hardly noticeable when looking at the creation.  

Within the creation different heights occur and the buildings as present in the model slope upwards, as is also the case in Santorini's architecture.

Fer Geerts mainly used polystyrene for the construction of the buildings, generally carried out on a scale of 1:70. For the additional elements, such as canopies on the houses, shutters on the windows, chairs and tables on the balconies, deck chairs on the roofs, sails on the windmills and the like, all kinds of suitable bits of material were used, such as reed mats, pieces of wood or cardboard. 

These additional elements have been manufactured with great care and this contributes greatly to the fidelity of the image conveyed by the creation.

This is further enhanced by the use of the colors blue and white, which are characteristic of the architecture of the Greek islands in the Cyclades archipelago. 

This use of colors was also very decisive for Fer Geerts, as he said in an interview: 

That's the real Greek atmosphere you often see in pictures. The white houses and blue roofs were the inspiration for me.

Indeed, in this art environment the architectural atmosphere of Santorini is unmistakable.

Incidentally, the creation as a whole is not really a replica. This only applies to a number of structures that have been precisely counterfeited. Other parts are based on fantasy.

As mentioned, the creation consists of a number of modules. There are now 37 blocks, which fit together. This makes it easy to store the art environment, for example during the winter, or expose it partly in a room in the house.

The compartmentalization also offers the possibility to easily transport the creation to a temporarily exhibition, such as at a holiday fair or in the window of a shop.

The site is not open to the public.

Documentation

* Website about the model, by Fer Geerts, with a page with referrals to a variety of media that paid attention to the model

Here is a small selection: 

* Article (June 1, 2020) on the website of Omroep Brabant (Broadcasting Brabant)

* Article (May 4, 2021) in newspaper Greek Reporter

Video

* Video (1'10", May 2020, YouTube) by Omroep Brabant (Broadcasting Brabant)

Fer Geerts

Santorini in miniature

Bergen op Zoom, Netherlands

no public visits

Agnès et Nicholas Brückin, Structures en pierre du jardin des Sambucs / Stone structures of the Sambucs garden

all pictures (May 2021) courtesy of
Claire Schneider

Located on a slope in a valley in the Cévennes National Park in the south of France, surrounded by tree-filled hills and enriched with creative stone structures, the Jardin des Sambucs is not only an attractive garden with flowers, ponds and nice trails, but it's also an art environment worth visiting. 

The name of the site is Occitan for the plant scientifically named Sambucus, in English commonly referred to as elderberry.

In the context of the development of the garden in general, this post will focus in particular on the stone structures and other creations that give the site such a special character.

Creating the garden started in 1994

A young couple, Agnès and Nicholas Brückin, started in 1994 with the creation of the 5000 hectare garden. After eight years, in 2002, the site was opened for the public. Currently the garden, which has many attractive aspects, has become a beloved spot to visit.

Agnès comes from the Cévennes. She is a farmer's daughter and is self-taught when it comes to gardening. In her design of the garden she follows the concept of the moving garden, an approach by the gardener Gilles Clément to grow plants in a natural way from fallow land, an approach that includes that the gardener knows the properties of different plants and better understand species and their behaviors, this in order to better exploit their natural capacities.

Nicholas grew up in England, Germany and Switzerland. He worked as a machinist on a road roller in the construction and maintenance of roads made of pebbles. 

From his grandfather he inherited a special sensitivity to stones and fossils and he is particularly interested in the structure of the garden, which he wants to accentuate with stone structures, often in the form of towering structures, but also in other forms, such as half or double spheres, walls and sets of steps. With regard to producing artworks he is also self-taught.

A variety of towering stone structures

In particular when seen from a little further away from the garden, a number of  high rising towering creations, as depicted in the images above, form a distinctly defining element of the site.

These creations are made of white and sand colored pebbles, joined with cement in horizontal circles, stacked in such a way as to form tapering towers. 

These high-rising structures may be capped at the top with a small number of gray tinted stacked stones. But here are also smaller tower-like structures, as in the two images above left and right, which are capped with brown vase-shaped structures. 

Or, as in the images above and below, these smaller towery structures have blue or brown saucer-shaped structures in which stone birds can nest and amusing characters make a dance or otherwise demand attention.

It appears that these tower-like creations, also the high-rising ones, have exclusively been made with pebbles and no supporting internal infrastructure has been used. 

This also applies to a number of creations, not depicted here,  that are formed exclusively by stacking mostly gray-colored stones.

The sturdiness of the structures, especially the towering ones, testifies to the craftsmanship with which Nicholas made the creations.

Other stone-built structures

The garden also has a variety of other stone-built structures.

For example, the image above shows a spherical structure made of stacked stones, a kind of cave that can be entered by visitors and in which they eventually can retreat for a while to absorb in all tranquility the impressions of the garden.

There is also a spot in the garden that refers to Venus. It's a spot with two man-sized vertically standing shells facing each other. Venus, a goddess of classical antiquity, was born from sea foam and reached shore sailing on a large shell, later named after her as the Venus shell.

And then there are benches available for visitors to rest or muse for a while. These benches, often quite large in size, are made of stones and pebbles and equipped with colorful and comfortable cushions.

Also within the site's grounds is a structure that includes a number of shelves filled with books for visitors to consult. The walls of this library have been decorated with mosaics.

Other walls in the garden also feature mosaic decorations, often in bold colours.

The garden has a small café. There also is a restaurant where (by appointment) meals are served, made from products from the garden.

Those visitors who want to stay longer in the area can stay overnight in a guest house or in a gite, 

The owners of the garden have signed the European Charter for Sustainable Tourism and they are members of the Ecotourism Association of the Cévennes. The garden is recommended by the National Park of the Cévennes and in 2013 it received an award as "favorite of the year" from the French association of  garden journalists.

In 2020, like most musea and other public facilities in France, the garden was closed to the public. During the closure, various new elements were added to the garden. The site reopened to the public in May 2021. 

An exhibition of works by visual artist Alain Kieffer was also opened at that time

Documentation

* Website of the Jardin des Sambucs (also available in English)

* Facebook page of the garden

* On Google Maps a large series of pictures of the creations, including an number of small-scale items

* Website French Gardens (in English). Most websites that review the site have a touristic approach.  

Video

* Video by Christian Segonne (2010, 4'52"); embedding the video here has been disabled by the owner, so take a look at YouTube)

Agnès et Nicholas Brückin

Jardin des Sambucs

Hameau Le Villaret

30570 Saint André de Majencoules, dept Gard, region Occitanie, France

can be visited, see the website of the garden for info about opening hours etc

Stevo Selak, Ansambl skulptura u prirodnoj veličini/Ensemble of life-size sculptures

picture (around 2018) from Facebook Watch,

see link in the documentation

The ensemble of sculptures in the image above is located in the backyard of a house in Banja Luka, a town of almost 200.000 inhabitants in Bosnia and Herzegovina. 

Life and works

This collection, which has emerged in recent years, is a creation of Stevo Selak, who lives in the house near the site. He studied at the Faculty of Political Science at the University of Banja Luka and currently has a job with an insurance company.

In his life Selak had three clinical death experiences, two times as a child. He has come out with these experiences, most recently in a video of more than an hour on YouTube (October 2020), in which  -according to the caption at the video- he saw heaven and hell and discovered amazing things.

Selak has also become known for books he wrote, such as Life of Jovanov, a book about his father's experiences in World War II and the struggles after the break-up of Yugoslavia.

this picture is a screenshot from the video
of an interview in 2016

Selak already earlier talked publicly about his experiences with recovery from clinical death, as in the summer of 2016 when he was interviewed by Mondo BiH. The picture above, a still from the video with the interview, shows how Selak while talking leans on the shoulder of a sculpture that portrays Russian president Vladimir Putin.  

This sculpture of Putin is the very first sculpture that Selak made, indeed in 2016 or slightly before. It took 200 kilos of clay to make it. At a later stage the sculpture was plasticized and painted in a chrome color.

a picture of Putin (2016), from Selak's 

account on Facebook

For several years, Vladimir Putin was flanked by Donald Trump, President of the United States (2017-2021). A sculpture of his wife Melanie was also added. 

When a violent storm raged in Banja Luka in December 2017, Trump's clay sculpture was blown over and fell apart in so many pieces that it was beyond repair. 

Melanie's sculpture was saved. A new sculpture of Trump has been made, but then with an iron infrastructure.

picture from Facebook

The sculpture collection also includes a self-portrait of Selak, as can be seen in the image above, where he poses in identical clothing and in the same posture next to the (well-resembling) sculpture.

The site also has a sculpture of Selak's son Matthew and furthermore it includes portrayals of Jesus Christ and Socrates (at the right in the image above), the American actor Chuck Norris (at the left in the image above), the Swedish princess Victoria (the lady in the red robe in the very first image), while not long ago also Kim Jong-un, the supreme leader of North Korea since 2011, was added.

The site, which up to now is the only art environment in Bosnia and Herzegovina,  can be seen from the street, but an address is not available.

Documentation

* Article (March 2020) in newspaper Dnevni Avaz about some recent additions to the site

* Article (January 2018) in newspaper Blic about some of Selak's books

* Article (June 2017) in British newspaper the Mirror 

Videos

* A video of the ensemble is available on Facebook Watch, take a look via this link  

* Video the making of Putin (around 2017)

Stevo Selak

Ensemble of life-size sculptures 

Banja Luka, suburb Paprikovac, Bosnia and Herzegovina

sculptures can be seen from the street

Dominique Plancolaine, La belle roche / The beautiful rock

picture (2009) by lapin88
licensed under Wikimedia Commons

One of the art environments created by non-professionals in France, well known to the general public, is the complex of sculpted rocks in Rothéneuf, Brittany, created by Adolphe-Julien Fouré (1839-1910).

On the other side of France, in the Vosges, there is a small community with about 200  inhabitants, named Relanges, which like Rothéneuf is located at 48 degrees north latitude. 

Both places can boast of a collection of rock sculptures in their vicinity, and on top of that, these are -so far- the only two places in France with art environments in the quality of rock sculptures.

Compared with Fouré's art environment the one in Relanges is much smaller in size, because housed in one large piece of rock. It's also much lesser known than Abbé Fouré's creation. Both artworks were  made in earlier times, and somehow have stood the test of time. 

That is to say, the sculptures in Rothéneuf can still be visited, the creations are still present, although they have lost color and much of their shape due to coastal wind and rain. From the site in Relanges a number of sculptures has disappeared, probably stolen, but the remaining ones still look good, this also because in recent years some maintenance has been carried out, probably thanks to the municipality.

picture (January 2016) by Syrdon licensed under 
Wikimedia Commons

Relanges' large sandstone rock with small-scale sculptures is located in a forest north of the community and the sculptures were made in the 1790s by Dominique Plancolaine (1745-1804). Except that he was a local stonemason from the neighbouring village of Thuillères, there are no biographic data about this self-taught artist available. 

The site is known as la Belle Roche (the beautiful rock). but also as la Roche des 12 apôtres (the rock of the 12 apostles).

The front of the rock, parallel to the forest road, covers a plane 6.5 m long and 2.5 m high. The side of the rock, on the right-hand side as seen from the road, is 6 m long and descends from a height of 6 m to 0.5 m.

The panel at the front side has a number of niches, some of which are still filled with sculptures, some of which are empty. The side panel mainly has sculptures in high relief.

picture (October 2014) by Espirat
licensed under Wikimedia Commons

The theme of the sculptures is the life of Christ, especially the Passion.

The picture below has a number of scenes that depict moments from the Passion, such as Christ carrying the cross, the entombment and the resurrection.

On the front of the rock, parallel to the road, at the right side of the plane there is a scene in high relief with Roman soldiers nailing Christ to the cross, and more to the left there is, also in high relief, a sculpture depicting Christ on the cross with some grieving persons underneath.

In this front plane there are also a number of niches, which are partly empty because the sculptures have been stolen, and partly have scenes which probably portray some apostles, as can be seen in the image at the bottom. 

picture (October 2014) by Espirat
licensed under Wikimedia Commons

The field of art environments in Europe has only a few sites with sculpted rocks. In addition to the two sites in France, there are seven similar sites elsewhere in Europe.. That is to say, as far as is known today.

Czechia tops the list with four sites, those of Vojtech Kopic, Václav Levý, Stanislav Rolinek and Ernst Wahr. Spain has two sites, those of Mariano Ros Martinez and Longino Ayuso. And finally, there is Italy with the creation of Domenico Mengozzi.

picture (October 2014) by Espirat
licensed under Wikimedia Commons

Documentation

* A tourist website about Relanges includes a page with a number of photos of the sculptures in the rocks

* Review of the site (with pictures) on the website Lieux insolites, which also has a review and pictures of the ruins of the former Bonneval priory, located not far from the Belle Roche

* Review of the site (with pictures) on the website Lunetoile

Dominique Plancolaine

La belle roche

Relanges, dept Vosges, region Grand Est

located along the walking path GR7,  

that runs north-west of the village through 

the forest, to follow for about a kilometer.