January 24, 2010

Robert Tatin, Musée la maison des champs / Museum the country house

                     garden of meditation, western orientation (moon)
          unless indicated otherwise, pictures courtesy of Laurent Jacquy 

Currently usually referred to as Musée Robert Tatin, this singular architecture ranks among the important art environments in France ¹.

Life and works

A man of various professions, Robert Tatin (1902-1983) was active as a ceramist, a carpenter, a mason, a decorator, a painter, just to mention some of his jobs. From childhood on he was quite interested in art. Born in the Normand city of Laval, at age 16 he left for Paris where he worked as a decorator and followed art classes at the École des beaux arts.

After he had been conscripted in the military (1922/24), Tatin returned to Laval where around 1930 he began a construction company. In this job he also could express his artistic interests.

After World War II Tatin decided to go for an artistic career, so he once more moved to Paris. He began a ceramics studio and participated in the artistic circles that re-inspired postwar cultural life in France.

In 1950, however, he decided to go to Brazil, where he was active in making art and consulting musea. He made distant travels through South America, a far as Tierra del Fuego and he was deeply influenced by the indigenous culture.

In 1960 Tatin returned to France.

At age sixty, in 1962, he bought an old house in a community known as La Frénouse, located in the vicinity of Laval ². Here, for the next 21 years, together with his wife Lise, he would create an art environment.

garden of meditation

The site

The site includes a collection of totem-like statues and a temple-like main building, the museum as such. 

this image by Sophie Lepetit, from her weblog

The image above shows the road of entrance, some 80 meters long, and lined up with 19 statues of colored concrete, some of these 2.5 m high, which represent personalities such as Jeanne d'Arc and Vercingétorix.





















One enters the court-yard of the museum via the mouth of an enormous dragon. The walls of the building have been decorated extensively. There is a Gate of the Giants, impersonating Rembrandt, van Gogh, Leonardo da Vinci, Goya and Delacroix.

The museum itself -like the original house- is oriented east-west and it includes a lot of symbolism (garden of meditation, rising sun in the east, moon at night in the west, a 6.5 m high statue of the Lady of All the World).

In 1969 the site opened as a museum that could be visited by the public, and in 2002 the site was recognized as an official Musée de France, which is open all year (guided tours only).

The house where the Tatin couple lived can be visited too.
 
After Tatin passed away (1983), he was buried in the garden around the original house.

50 year anniversary of the museum in 2019

picture from the website France Bleu

In May 2019, the museum's 50th anniversary was celebrated with an opening in the evening in the context of the European night of museums, during which the museum was festively illuminated and fireworks were lit.

Documentation
* Website of the museum
* Article on a website about tourism in the Mayenne area 
* On Flickr a large series of pictures by Coalville2011 (includes video of Tatin at work)
* Articles in the weblog of Sophie Lepetit
* Article (February 2020) by Jessica Straus on her weblog Quirk, with a variety of photos
* Article (August 2021) by Jean-Pierre Simonin on his website, as with a large series of photos

Video
* Video (2016) by France 3 TV (2'06")


Notes

¹ This blog mainly deals with art environments made by self-taught artists. In terms of visual art and techniques of constructing Tatin cannot be considered as a non-professional, in architecture he probably was an outsider. In France his creation in general is regarded as a creation outside of the world of mainstream art. Tatin has inspired some self-taught artists who made art environments, such as Jacques Lucas and Danielle Jacqui.

² Laval houses a museum of naïve art that features Henri Rousseau and has a collection of art singulier. The city is the birthplace of Alfred Jarry (1873-1907) who founded 'pataphysics.

first published January 2010, last revised November 2023

Robert Tatin
Musée (La maison des champs)
la Frénouse
53230 Cossé-le-Vivien, dept Mayenne, region Pays de la Loire, France
open for the public, see the museum's website for opening hours

January 16, 2010

Elis Sinistö, Villa Mehu


this picture and the next four (around 2012) courtesy of Katla, 
Heathen Harvest website

Life and works

In the 1950s Elis Sinistö (1912-2004) from Finland settled on a plot of wood in the community of Kirkkonummi, where he founded his own domicile, using all kinds of recycled materials to construct various buildings, such as a house to live in (as on the next picture), a temple, a sauna, a guest house and various other constructions.

Sinistö's house

Here he would welcome visitors, making a dance, reading some poetry, or inviting them to make a walk around the adjacent pond.

For visitors who wanted to stay overnight, Sinistö had constructed a guest house, as in next picture.

a guest house

Sinistö incorporated a lot of qualities in one person, he was a philosopher, a yogi, a dancer, singer, poet, performer.... and he did not care about property, nor about the so called prosperity of western society....

He has been quoted saying that he did not own anything, it was just mother Earth that owned him. His life, he said, just was "pure being".


Grown up in a poor, not very warm family, in the 1930s Sinistö traveled the country to find work, doing small jobs.

In the 1940s he had to fulfill military service, but his refusal to carry a weapon and his vegetarianism brought him into trouble and resulted in a psychiatric admission for some time.

balcony of mountain cottage

After the war Sinistö became a professional dancer for theater companies, and he also was a painters model. With the money earned in these jobs he could buy the plot of land in the woods, where he single-handedly constructed his Villa Mehu.

No future for this site

After Sinistö's death in 2004 the property was legated to a folk art music foundation, which ensured that interested people could visit the site, However, this foundation in 2011 went bankrupt and since the site with its buildings was a collateral for loans the foundation had contracted, it had to be sold.

It was bought by a neighbor, who in July 2013 told a Finnish newspaper that due to lack of funds it was not possible to renovate the already dilapidated structures. Just the ones from stone, the headstone and the pond where Sinitstö's ashes were scattered, will be retained.

The photo below, made in May 2019, shows the gradual degradation of the site.

picture (2019) courtesy of Mike Inglis

You dream about the emptiness

Mike Inglis from Scotland, around 2019 spent some time in Sinistö's art environment,  immersing himself in this now uninhabited world of woodland structures set in the tranquility and privacy of the remote Finish forests. Trying to understand the fantastical mind of Sinistö, he made this video (available on Vimeo)


Documentation
* Jan Kaila's weblog with portraits of Sinistö
* Article and pictures on the ITEnet website
A series of photos (2018) by Sophie Lepetit on her weblog, here and here
* In summer 2020 two Finnish articles were published about Sinistö's legacy, both with a variety of illustrations:
       - on website Urbanex-ninja (June 10, 2020)
       - on weblog Styleheaven-marjorie (July 4, 2020)
* Article (2023) by Heini Heikkilä on the website of the Finnish Association for rural culture and education, with a series of pictures

Videos
* Video by Lauri Ainala (YouTube, uploaded August 2009, 5'03")



* Video by Erkki Pirtola, in two parts (You Tube, June 2012, 9'50" and 9"51)





first published January 2010, last revised April 2021

Elis Sinistö
Villa Mehu 
Veklahdentie 242
02400 Kirkkonummi, Uusima, Southern Finland
site extant, but slowly deteriorating
can be visited by the public