November 19, 2014

Jeannine Lejeune, Musée art brut et naif/Museum of art brut and naive art


this picture and the next three

Ouffet is is a small community of some 2500 inhabitants, located south of Liège in the east of Belgium

Life and works

At the outskirts of this community, along the Chaussée de Huy, Jeannine Lejeune (b. 1952) in 1994 acquired the stables of a former equestrian center. She went to live there and in the course of the years she transformed the site into an art environment.

the corridor/entrance of the museum

A versatile self-taught artist, Lejeune decorated the walls of the corridors and the interior with her paintings, she made all kinds of assemblages and her mosaic structues and sculptures from polyethurane embellish the interior and the garden outside.



In her paintings on the walls Lejeune, who sometimes calls herself princess Jeannine du Thier del Creux, evoked the dreams she had as a child and expressed her passions. 

She has said that her house is a realm of dreams and its interior has been described as "a baroque universe tinged with mysticism".

Deeply religious and endowed with a strong sense of mysticm, Lejeune has embellshed the walls with scenes of angels, Adam and Eve in the paradise and the seven deadly sins.

The garden has been decorated with mosaic structures and various bric à brac items.


From the outset it was Lejeune's intention to share her art with the people from the village, especially with the children, so she announced her art environment as a museum, which could be visited during some days of the week.

Lejeune herself however liked to stay at home and she would not frequent Ouffet's public facilities, so as far as I understand her art environment did not enjoy so much the interest of the villagers, but rather was visited by lovers of outsider art from further afield.

Discussing the future of the site

In 2010 on the initiative of the Faculty of Architecture of the University of Liège and the MAD Musée a commitee was formed to study the best way to ascertain the future of the site. One of the reasons to do this was the fact that the use of the buildings as a place of living and a museum had taken place without any authorization of the local authorities and did not fit in the community's land use plan, an issue which had to be resolved.

The commitee worked enthusiastically for some eighteen months, but ultimately a solution was not found, since  Lejeune could not accept the legal construction stating that for a symbolic sum she would sell the site to a foundation (that would ensure its future) in exchange for a continuous usufruct.

The various aspects of this issue have been discussed in an article by Brigitte van den Bossche in the Rivista dell' Osservatorio Outsider Art (see documentation).

May 2015 Jeannine Lejeune published a message on her weblog saying that the museum is for sale (musée à vendre)

Documentation

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