above the house in 2007
Life and work
Angelo Cerpelloni (1923-2006) was born in the small community of Quinzano, a suburb of the town of Verano, Italy, some four kilometers northwest of the city center.
He had various jobs and then became a mason. Around 1951 he married a young lady from Milan and the couple settled in this city. They had two sons.
In the early 1970's Cerpelloni got tuberculosis and was declared unfit for work. To live a more quite life, as suggested by his physician, he moved to Quinzano, where he went to live in kind of a barn he had inherited from his father. For economic reaons his wife and sons stayed in Milan.
It is not clear at what time Cerpelloni began embellishing the exterior wall with shells, probably it happened when structural works were well advanced. Neither is it very clear how he obtained the large quantity of shells needed to cover all walls.
Anyhow, in the course of some fifteen years of creative actvity, Cerpelloni has transformed his house into a shell decorated art environment, with shells -both rare and common ones- laid in geometric patterns or in representations of trees, fishes, and the like.
The interior has been decorated too with smaller compositions of shells
The house has been restored
After Cerpelloni died in 2006, the inheritors sold the property.
The construction of the house was considered as hazardous by the neighbors and it needed some restoration indeed. The local authorities showed no interest in what they saw as a foolish creation, but the new owners bought the house with the intention to renovate it in a way that would somehow respect its artistic aspects.
Although the local authourities wanted to demolish the house, the Italian Heritage board intervened just in time and a restoration project was implemented.
This project, completed in 2010, has taken three years.
It involved the removal of the upper balcony and the roof terrace. Unfortunately, over half of the exterior decorations have gone lost and the decorations in the interior are no longer extant.
But then, a number of characteristics of Cerpelloni's creation have been preserved and still can be admired from the street, which is more than can be said about creations elsewhere, that are completely gone..
* Giada Carraro, La casa de las conchas, in: (webmagazine) Revista sans Soleil/Estudios de la Imagen, vol 5, nr 2 (2013), pp. 224-232 (in spanish, abstract in english)
* Article on website Costruttori di Babele (in Italian)
* pictures of Igor Novelli on Flickr
* for example the houses in Dartmouth (UK), Thyboron (Denmark), Pont ar Manc'h (France), Cullenstown (Ireland) and Tazones (Spain)
** for example Watford (UK), Saint Gervais (France)
*** I gladly acknowledge that this post draws upon the extensive field research by Giada Carraro as reported in her article referred to in the documentation; interpretative aspects are my responsibilty
La casa delle conchiglie
Via Prelle 37
Quinzano, suburb of Verona, Veneto, Italy
can be seen from the street