September 11, 2014

Erich Bödeker, Garten mit Skulpturen/Sculpture garden

Life and works

Born in Recklinghausen (Germany) Erich Bödeker (1904-1971), after completing his primary education, at the age of around fourteen went to work in a coal mine, in these days an important industry in the german Ruhr area.

He would continue this job for over forty years, untill in 1959, at age 54, he contracted silicosis and was declared unfit.

From the catalogue of the exposition 
Panorama International de la peinture naive   
organized in 1964 by the 
Mission universitaire et culturelle Française au Maroc 

For Bödeker this was the moment to start a new life. 

Much to the astonishment of his family and friends, he began making sculptures from all types of waste material such as old boxes, kitchenware, parts of machines...

After his first experiences with this kind of activity, he continued making sculptures by mainly using wood and concrete, in particular with a focus upon depicting persons and animals  

He covered his sculptures with rain-resistant brightly colored paint (The video listed in the documentation has pics in color; those of the garden, made in the nineteen-sixties, all are in B/W).

this picture and the next two: screenprints
from the Bohnes video (see documentation)

Bödeker displayed his creations in the small garden at his home, which in general included some hundred items. 

In 1961, fairly soon after he had started as a naive artist he met the director of the museum in Recklinghausen, who arranged an exposition of his works in the local town hall. 

Thereafter Bödeker almost every year got expositions (click here for a complete list). In 1970 he participated in the first Triënnale of Naive Art in Bratislava (INSITA) , where he won the first prize for sculptures.

Although his garden became a meeting point of people who were interested in his sculptures, as far as I know, in Germany the site as such never has been regarded or described as an art environment.

Probably Bödeker himself used the garden more as a storage area, rather than that he wanted to transform it into an artistic creation as such. But then, Bödeker also had to learn from others, that he happened to be a naive artist... 

Indeed, recognizing and naming art work often depends upon the point of view and background of the observer. When in France in the nineteen-sixties interest in art environments arose (Ehrmann's Les inspirés et leur demeures, 1962; first research of Bernard Lassus), Germany did not have such a development, perhaps also because these phenomena are rare in that country.

Having been active as a naive artist for some eleven years, in 1971 Bödeker died in his garden in the midst of his sculptures. 

He has made over a thousand sculptures, many of which have been included in museum collections. 

However, I couldn't trace any information about what happened to Bödeker's other artistic legacy and his garden, 

* The Bödeker-Gesellschaft für Naive Kunst deals in-depth with naive art and artists, and has inventarised all works by Bödeker.
* Stefan Schwidder, "Naive Kunst von Erich Bödeker: die Kunstwerke ehemaliger Bergwerkskumpel", in: Deutsches Algemeines Sontagsblatt, July 6th 2000 
* Video uploaded to Vimeo by Jochen Bohnes, a contribution of his father Wilhelm G. Bohnes to a cultural program on ZDF TV (Germany)

Erich Bödeker from Jochen Bohnes on Vimeo.

Erich Bödeker
Garten mit Skulpturen
Recklinghausen, Germany
location unknown

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