this picture and the next three courtesy of the
© Laurent Kruszyk, Région Île-de-France
Osny is a community in France, located some 30 km northwest of Paris, which currently is part of Cergy-Pontoise, a suburb of the capital that began to emerge in the 1970s.
Life and works
When in 1964, Georges Maillard (born in 1932) bought a piece of land of some 1000 m² in Osny, the community was surrounded by an area with a rural and woody character, because at that time the urbanization had yet to begin.
He bought the site to establish there a country cottage (in French a cabanon), a place for relaxation. Later, in 1968, he decided to locate a house on the property. He started living there in 1972.
Maillard was a postman with an artistic slant. He loved photography, the theater and writing, but making sculptures became his favorite activity, in such a way indeed that he transformed the undeveloped, partly upwards inclining part of his property into an art environment.
The available documentation does not state when Maillard started working on his art environment. It is possible that it was when he moved into the house in the early 1970s, because it has been reported that one of his first creations included a letterbox, and then a box that was decorated in a special way.
The pictures in this post demonstrate the specific character of the sculptures Maillard created. In the fields around Osny, but also on chalk cliffs along the coast of Picardy and Normandy, he went in search of stones, especially sandstone and sometimes millstone, and especially those with a special shape or profile, so that, when combined, they get kind of a human or animal look,
Because the stacking consists of around two or three stones, the sculptures appear in a modest size, which also adds to their charm.
In addition, Maillard treats the creations with humor and playfulness by providing some with attributes such as a baking pan as a helmet, a flowerpot, a funnel or a scarf.
Looking at the accompanying photos, it is striking to see how naturally the various sculptures take their place and relate to their neighbors, as if they were not grouped by human hand, but are a collective of personalities, busy with all kinds of activities, stiffened for a split second in the click of a camera. Incidentally, here is also a relation with Mallard's love of photography and the theater, in particular the aspect of staging amidst sets.
In the available documentation, published around 2012, it is stated that Maillard has also made some wooden sculptures, one of which still existed at the time, while he also must have made concrete sculptures. However, it's evident that around 2012 the stacked stones already form the dominant aspect of this art environment.
Actual situation (2019)
As said, the (in itself limited) documentation on which this article is based, was published around 2012. The internet hasn't more recent info and the site also hasn't been described in the overview of art environments in France that Bruno Montpied gives in his standard work Les gazouillis des Éléphants (2017).
However, relying on the image that Streetview in 2019 made of the garage of the house, with unscathed sculptures on its roof, it seems that the site is still in its original state.
* Entry about Georges Maillard on the website Inventaire du Patrimoine, Île-de-France (file about Maillard realized in 2012)
* The above Inventaire includes an article (2012) by Sophie Cueille, Entretien insolite avec le facteur Maillard (can be downloaded as a document)
Georges MaillardJardin des pierres Rocamberlus
16 rue des Marines
95520 Osny, dept Val-dÓise, region Île-de-France, France
can (partly) be seen from the street