May 25, 2009

Jean Crampilh-Broucaret, Le plancher de Jeannot / Jeannot´s floor

picture courtesy of Samuel Guitton, 2 Koc,
the company that made the frames

The three panels above since July 2007 marked  the entrance of the (psychiatric) Hôpital Sainte Anne in Paris. Together, they once formed a wooden floor of about fifteen m², engraved with a message of eighty lines by a young man who for many years was referred to as Jeannot le Béarnois.

Around 2023, the panels were removed because the Mahhsa museum, which is linked to the Centre Hospitalier Saint-Anne, intended to restore them to their former state. This is explained in more detail on the museum's website (see documentation), which also mentions the name of the creator of the inscriptions on the floor, namely Jean Crampilh-Broucaret, mostly adressed as Jeannot.

The story

Jeannot was born in 1939 in a small community in the former Béarn department, in the south of France, where his parents owned a (farm)house on a terrain of some 40 hectares. As a young man, he may have been a nice, sociable person, but problems arose when in 1959 he had to deal with his fathers suicide.

His mother, Jeannot and one of his sisters continued to live in the house, and the small family gradually became more and more isolated.

Jeannot showed paranoid behavior. Admission in a psychiatric hospital was imposed, but he resisted so violently that authorities did not further intervene. When the mother died in 1971, permission was granted to bury her in the house, "under the staircase", as is reported in articles about Jeannot.

The next months Jeannot wrote down a text on the wooden floor of the living room. With a hand drill he made small holes which he connected with lines cut out with a gouge or a knife, in this way giving shape to the text in capital. Carving eighty lines of text must have entailed many months of intensive labor.


Soon after completing this job, Jeannot died; maybe he had starved himself to death (1972). Together with his mother he was buried in the local cemetery

The sister continued living in the house, alone, isolated, hardly coming outside. She was found dead in 1993.

The house was sold. The brocanteur who dealt with the furniture, noticed the inscriptions on the floor and informed someone of his family, named dr Guy Roux, a psychiatrist interested in art brut. Dr Roux became the owner of the floor in exchange for a brand new floor he paid the new owner of the house. Later he sold it to the pharmaceutical company Bristol Meyer Squib.

Expositions of the floor

The plancher for the first time was exposed in 2000 during an international psychiatric congress in Paris, as part of an exposition entitled 50 ans d´expression en milieu psychiatrique (50 years of expression in the psychiatric setting). 

Some years later the plancher was exposed in the Bibliothèque Nationale in Paris, which gave rise to a heated public debate  about the question if it acceptable to present as a work of art what someone in great psychic need gave expression to.

Due also to the cooperation of Dr Jean Pierre Olié, professor of psychiatry and chief psychiatrist of Ste Anne Hospital, it was arranged that the floor, cut in three parts, from 2007 on was on display at the entrance of a department of the hospital in the rue Cabanis.

rue Cabanis (streetview)

There were plans to make the hospital more open by renovating the main entrance and there were ideas to situate the carved floor there, .but these did not produce any results in the short term.

Google Streetview shows that in July 2022 the panels with the text were still located along the rue Cabanis, but in April 2024 they were no longer there.

Exposition of the renovated floor from September 2024

As said above, the Mahhsa museum has taken care of a renovation of the floor with inscriptions. It will be exhibited from September 2024 to April 27, 2025. 

The museum is also publishing a book in which an attempt is made to restore the authenticity of the creation by analyzing its history and the social context of Jeannot's family and by examining which analyses have been made in the past thirty years with regard to the creation.

The text

The text as written on the floor can be found in French on the website Tryangle. When in May 2009 I wrote the first version of this post, I had not yet found an English translation, so I made one myself, that can be read in my website OEE texts.

Very briefly summarized, the message of the text is that religion is the cause of evil in society, and that the church uses electronic devices to influence the minds of men.

Documentation
* Website of the MAHHSA Museum
* Wikipedia
* Dr Guy Roux, Françoise Stijepovic (photo's), Histoire du plancher de Jeannot, drame de la terre ou puzzle de la tragédie, Éditions Encre et Lumière, 2005.

first published May 2009, last revised  September 2025

Le plancher de Jeannot 
originally located in a house in an unknown community in the dept Pyrénées-Atlantique, region Nouvelle Aquitaine, France
(during many years exposed along a street outside the hospital, 
removed around 2023 to be exposed in the Mahhsa museum)
Musée MAHHSA
Centre hospitalier Sainte-Anne
1 rue Cabanis
75014 Paris, France

May 24, 2009

Pierre Dange, Palais artistique / Artistic palace

  
 postcard courtesy of Bastiaan van der Velde ¹

Some people who made art environments are only known and remembered because of old picture postcards which portray them and their place of living.

The picture above is such an old postcard. It dates back from around 1910 and shows a house named Palais Artistique, which in former times existed in Rogny-les-sept-écluses, a small village of about 700 inhabitants in the center of France.

The house was constructed by someone named Pierre Dange. The postcard above ¹ has the name Dauge, but this probably is a mistake. French weblog Vasavoir-Afga (which focuses upon the community of Rogny) has a picture of the nameplate at the entrance of the demolished house, which reads Dange.

picture from the website vasavoir-afga

The story is that Dange constructed this house with his own hands, giving it a special appearance with its strange roof and the sturdy walls with just a few windows. The top of these walls have elements that in French are called meurtrières, small openings in a wall to observe enemy forces and shoot at them.

For Pierre Dange they had the function to defend the house "in case the Prussians would return ". Apart from other things, this could mean that anyhow the house was constructed after 1870, the year of the French-Prussian war.

The house was located in the higher parts of the rue Hugues Cosnier, a street that still exists in Rogny.

Here is another postcard with Dange posing as a painter. The portrait represents someone (a king, a queen?) with a crown.

Pierre Dange posing in front of a painting
(from the website vasavoir)  

Not much is known about Pierre Dange's activities as a painter. In his weblog (November 15, 2011), Bruno Montpied has presented a picture of a painting that may have been made by Dange. It suggests he worked in a naive style.

As said, the house doesn't exist anymore. And probably most of the current residents of Rogny have no memories of Pierre Dange either, maybe with the exception of an octogenarian lady who told Jean-Michel Chesné that she, at the age of around seven, visited him. At that time, around 1930, Pierre Dange already was a very old, not so friendly man, who lived in a distressed condition. As far as the lady remembers, there were no paintings around in the house.  

Rogny-les-sept-écluses by the way is known because of the construction of locks (seven on a row, like a staircase) in the Canal de Briare, digged between 1604 and 1642, to connect the Loire and the Seine rivers. This canal would provide the country with an interior waterway from the north to the Mediterranean v.v (Couldn´t resist to mention this, although it´s a topic for other blogs of course)

note
¹  this postcard was forwarded to me in February 2011 by Bastiaan van der Velde, thanks a lot!

first published May 2009, last revised August 2018

Pierre Dange
Palais Artistique
(formerly) Rogny-les-sept-écluses, dept Yonne, region Bourgogne-Franche-Comté, France
site doesn't exist anymore

May 16, 2009

Marcel Dhièvre, Au Petit Paris / At Little Paris

.
 pictures courtesy of Brigitte Rebollar, 
weblog de moi-a-vous

This facade of a former clothing store, a decorated exterior, is currently still present in Saint-Dizier, a town in the Champagne-Ardennes area in north-western France.

Life and works

Marcel Dhièvre (1898-1977), born in Laneuville-au-Pont, some 8 km east of Saint-Dizier in a family of agricultural workers, from birth on had the handicap that he could not use his right hand, since this one was paralyzed. Nevertheless he has become known because of the way he decorated the walls of his shop of clothing and related items on the Avenue de la République, a property he had bought in 1922.

The story of the decorations begins after World War II. Around 1950 Dhièvre made some mosaic decorations on the facade of the house in Eurville, outside Saint-Dizier, where he lived with Constance Coulasse he had married in 1937, after his first marriage (1920-1935) had failed.

Dhièvre apparently liked making these decorations and soon he shifted his attention to the facade of his shop in town.


He began decorating the shop's exterior with mosaics, little ornaments and representations of flowers, trees and birds. A number of mosaics refer to Parisian buildings, like the Eiffel Tower, the Arc de Triomphe and the Chambre des Députés.

Dhièvre also decorated the interior of the building with wall paintings and frescoes, and he made paintings on canvas in a naive style, which nowadays are in the collection of the local art museum

Marcel Dhièvre has continued this project until 1970.  He died in 1977.

 

Situation after Dhièvre died

After Dhièvre's death the house was sold to a new owner who was interested in saving it as an art environment. In 1984 the house was registered as a Monument Historique and in 1985 (January-April) the local museum had an exhibition of Dhièvre's artwork.

However, the new owner hadn't the necessary funds available and could not prevent some decay, like mosaics losing their colors and parts of them falling down.

 A local group of friends of the Little Paris, Entre Tenir, took action to promote the preservation of the decorations. With success, since in 2008 the mayor of Saint-Dizier announced that the city's budget for 2009 would allow the purchase of the property and start a renovation.

Restoration 2011-2012 

In 2009 the city bought Little Paris indeed and developed plans to restore it. The project was entrusted to Renaud Dubrigny, an employee of the city of Joinville who had a lot of experience in doing this kind of work.

The restoration project started in March 2011 and went well.

Renaud Dubrigny at work

In the weekend of September 17/18 2011, during the journées patrimoines (heritage days), the public for the first time in many years could take a look at the decorations in the interior. 


Inauguration and current use

The restored house was officially inaugurated on September 15, 2012, during the Journées du Patrimoine.

At this occasion the city published a website about the Petit Paris art environment (not available anymore). This website had an article by French art critic Laurent Danchin, which was republished in a translation into English in OEE texts.

For a couple of years it it remained unclear how the renovated building could be used, until in late 2017 it was announced that it would become kind of a cultural café, which might be a good use indeed.

In July 2019 it was announced that this cafe would open as Bar au Petit Paris in September 2019. A Facebook page meanwhile has become available. Here is a report by French TV (July 2019) about the re-opening of the site:

 

More documentation
* the website Habitants-paysagistes (Lille Art Museum, from March 2018 on) has a variety of pictures by Francis David (no dates) and l'Aracine (1981-1996) and also documentary panels by Rene Escard (1970-1996)
* article on the website of the municipality of Saint-Dizier 
* pictures of the exterior on the weblogs of Sophie Lepetit and of Brigitte Rebollar
* pictures of paintings by Marcel Dhièvre, mostly done in a naive style, in the collection of the local museum
* article by Laurent Danchin, translated into English and republished in OEE-texts
* article by Dr Tony Shaw (September 2021) on his weblog

Video
* video of the renovation by Voix de la Haute Marne (Daily Motion, 3'47")



first published May 2009, last revised September 2022

Marcel Dhièvre
au Petit Paris
avenue de la République 476
52100 Saint-Dizier, dept Haute-Marne, region Grand Est, France
(Champagne-Ardenne area)
can be seen from the street 
streetview (September 2021)

May 09, 2009

Veijo Rönkkönen, Patsapuisto / Sculpture Park


this picture and the next one by Rikka Lempiänen 
from Pelastakaa Parikkalan patsaspuisto (Facebook)

The picture shows part of the around 550 sculptures made by Veijo Rönkkönen (1944-2010), as displayed around the house where he lived in the neighbourhood of Parikalla in the south-east of Finland.

Life and works

At age sixteen, in 1960, young Veijo Rönkkönen went to work in a local paper mill. Around the same time he began making sculptures, mainly depicting people in a rather naturalistic way. He displayed these creations in the park-like garden of the family house.


One of the features of his work is a collection of about two hundred males in various asanas (yoga poses) , displayed as a group in a part of the park. Compared to what would be exercised in a yoga class these are many poses (and a lot of sculptures too...)

picture courtesy of Carlos Hoyos, Flickr, april 2009 

All his life Rönkkönen lived in the house were he was born, first with his parents and later, after his parents had died, alone. He liked to be on his own and was not much around in his garden to meet visitors. 

His sculpture garden has become rather popular in Finland. In the years before Rönkkönen died every summer some 25.000 people would visit the site. It had become a tourist attraction indeed. 

Although Rönkkönen would not meet them personally, these visitors were very welcome and they didn't have to pay an entrance fee, provided they signed the guestbook.

Veijo Rönkkönen also did not like the idea that his sculptures would be transported to be shown on expositions. However, he is one of the self-taught artists whose work could be seen (by photographs, I presume) on an exposition in 2009 about Nordic outsider art, entitled Other Art.

In 2007 the Finnish state awarded Rönkkönen with a national cultural price. 

Early 2010 Veijo Rönkkönen unexpectedly died.

sculptures along the entrance of the park

Future of the site assured

No arrangements for the future of the sculpture garden had been made and admirers of his creations took action to save the site for the future. Both a group of friends and a committee of experts on outsider art were active in promoting the continuity of the site.

In October 2010 it was announced that the site (house and garden) had been bought by Reino Uusitalo, owner of one of the most important Finnish paper industries. Plans have been developed to provide the site with its own management and to ensure a sustainable exploitation of the site.

On July 23 2011 the sculpture park was reopened for the public. This was featured with an exposition in memory of Veijo Rönkkönen, which lasted until september 30, 2011.

In 2018 the sculpture park had about 40.000 visitors.

Situation in 2022


A series of pictures on the website of Parikkala Sculpture Park, August 2022, shows how beautiful the site is.

Documentation
* The website of the sculpture park Parikkalan Patsapuisto
* Article on website ITE-taide 
* A book by Veli Granö, Veijo Rönkkösen todellinen elämä (The real life of Veijo Rönkkönen), Maahenki, 2007 (first edition sold out, second edition can be bought at the shop of the sculpture park, extracts on website Books from Finland)
* Article by Eva Pursiainen, Joogaavia patsaita ja tekohampaita. Parikkalan patsaspuistossa voi katsoa. on website Yle.fi, with a variety of pictures

* A large series of pictures (2018) by Sophie Lepetit on her weblog, herehere, here, here and here
* On her weblog Sophie Lepetit also published an impression of her visit to the site in 2018. 
A translation into English of this article is available on OEE-texts

Videos
* Video by Veijo Vaakanainen showing the sculpture garden in wintertime (6'46", YouTube, april 2012



* Video by Veli Granö (9'05", November 2013) with neighbours talking about Rönkkönen (subtitles in English)

 

* Video by Vanha Suomi (7'58", September 2013, YouTube)


first published May 2009, last revised August 2022

Veijo Rönkkönen
Sculpture Garden 
Kuutostie 611
Koisanlahti 
59130 Parikkala, Southern Karelia, Southern Finland
public visits: in summer tue-fri 9.30-17, sat 9.30-15
streetview (includes a series of pictures of the site by Pavel Raysin)

May 07, 2009

André Bindler, Musée de la Doller / The Doller Museum

the musée de la Doller in 1981
this picture and the next two courtesy of Marc Grodwohl

Life and works

André Bindler (1922-2011) at age fourteen went to work in the textile industry in the Alsace area of north-western France. He had to leave this job in 1979, because of the effects of a physical injury he received during WW II.

He did not like to be inactive and began making sculptures of animals, which he displayed in the garden around his house in Sickert a small community in the Alsace area in France.

animals in the "jardin de paradis", 
as shown in the Ecomusee

Around 1983 Bindler began making replicas of famous Parisian buildings.

The story is that he had seen an article in a newspaper about someone who had constructed the Eiffel Tower by gluing matches together. So André Bindler also made an Eiffel Tower, not from matches, but from wood and iron. He continued with a replica of the Notre Dame basilica, just using a postcard as an example. And he also copied the Arc de Triomphe.

In later years he made sculptures of famous persons and replicas of chapels in the area of the Doller river. All creations were exposed in and around his place of living.

famous persons (grands hommes) 
on show in the Ecomusée

Passers-bye were invited to visit the site by means of a sign that directed them to his Musée de la Doller.

Around 1989, after so many years of making creations, Bindler no longer had the energy to continue this activity.

Works moved to the Alsace Eco-museum

The future of the environment would have become uncertain, if not in 1991 the sign Musée had been noted by Marc Grodwohl, at that time director of the Eco-musée d'Alsace (opened 1984). Around 1990 this museum focused upon saving socio-cultural and industrial ethnographics from the area, that were threatened with decay, by adding them to the museum´s collection.

"le Bartholdi de pauvre", (statue of liberty?)
picture courtesy of pierrepaul43 (Flickr, april 2010)

Volunteers of the museum, advised by Bindler, have spent years in installing and if necessary restoring the collection.

Bindler passed away in 2011. His creations currently are still present at the museum.

Documentation
Website Habitants-Paysagistes with a series of photos of the site in the original setting (1989) by Francis David
* Marc Grodwohl described on his website the transferal of Bindler's art environment to the Écomusée
* More pictures on the elf2manie weblog, the dansmabonjotte weblog and the weblog of Sophie Lepetit

Video
* A video (3'36") by regional TV with Bindler being interviewed, published February 2014, but obviously shot many years earlier



Andre Bindler
Musée de la Doller
Sickert, dept Haut-Rhin, region Grand Est, France
the original site doesn't exist anymore, 
most creations currently in:
Ecomusée d´Alsace
Ungersheim dept Haut-Rhin, region Grand Est, France
visitors welcome

May 04, 2009

André Hardy, Le bestiaire fantastique / The fantastic bestiary

this picture and the next two courtesy of Sophie Loubaton

Part of a large collection of other animals, above dog in front of a shell- and mosaic-decorated kennel, during many years kept watch at the Hardy estate. Unfortunately, this art environment doesn't exist anymore.


Life and works

André Hardy (1921-2013) and his wife Thérèse lived quietly in Saint-Quentin-les-Chardonnets, a community of some 300 inhabitants in Normandy, France.

An ironmonger (ferronnier, in French) by profession, around 1971, at age fifty, Hardy began making sculptures, mainly depicting all kinds of animals life-size. He displayed the sculptures in his garden which in this way was transformed into a bestiaire fantastique, a fantastic bestiary.

Hardy has been active in making these creations until the early 1990s and then, becoming older, he refrained from creating new ones, but kept active in taking care of the menagerie and welcoming visitors.

the garden could be seen from the road

When Hardy was approaching age ninety he moved to a home for the elderly and sold his house.

Early 2011 it was announced that the sculptures were on sale through the Grenier de Marco, a French company located in Normandy, which trades in (surplus) furniture, books, garden utensils, etc.

Hardy's sculptures have been advertised on the company's website as art brut pour jardin (art brut for the garden) without any indication of prices (The relevant web page is not available anymore on the internet).

for sale on Grenier de Marco

Some sculptures have been bought by the Lille Art Museum, others by private collectors, like this fisherman:

this picture courtesy of ML

March 2013 André Hardy passed away.

Documentation
Website Habitants-paysagistes (by Lille Art Museum from March 2018 on) has a series of pictures by Francis David (1982-1983)
* The website of photographer Sophie Loubaton has a set of pictures of the site
* A study by Mélanie Paul-Hazard. "Spécificités de la conservation muséale de fragments d'environnements d'art brut. Étude de trois sculptures zoomorphes en mortier de ciment armé peint de André Hardy (Specifications of museum conservation of fragments of art brut environments. Study of three zoomorphic sculptures in painted reinforced cement mortar by André Hardy). 

Video
* Video shot around 2010, with additional sequences of the Rémy Ricordeau/Bruno Montpied movie Bricoleurs de Paradis (2011); available on Vimeo, the part about Hardy continues until 2'20"


Andre Hardy
Le bestiaire fantastique
61800 Saint-Quentin-les-Chardonnets, dept Orne, region Normandy, France
site doesn't exist anymore

May 01, 2009

Franck Vriet, Règne animal / Animal kingdom


this picture and the next two (around 2011) courtesy of 
Pascal Garret (link not available anymore) 

Brizambourg is a small community of about 800 inhabitants in the western coastal department Charente-Maritime, France.

Life and works


For many years there has been a charming art environment in Brizambourg, a site created by Franck Vriet (1931-2017) who was born in the community of Cognac and moved to Brizambourg, where he had a job as a mason.

In 1988 he began making brightly colored sculptures from concrete and once retired he could spend more time on this creative activity, in which he mostly depicted animals and occasionally people.


Vriet displayed his sculptures in the garden around his house.


The collection has sometimes been referred to as a bestiaire, but it is not clear how Vriet himself called his site (if he ever gave it a name....).  It is probably best referred to as an animal kingdom, un règne animal. 

Vriet was acquainted with Gabriel Albert, who created a sculpture garden in Nantillé, a community some 9 km north of Brizambourg. It is quite probable that Albert and Vriet exchanged information about the technical aspects of making sculptures from concrete.

picture from the touristic website Vallée de l'Antenne

The website Vallée de l'Antenne, which  presents above picture of Vriet's art environment refers to Vriet as a follower of Gabriel, saying that Vriet when young worked with Gabriel.

Franck Vriet has passed away

In an article on his weblog dated December 7, 2016,  Denis Montebello reports that Vriet's house was uninhabited and that most sculptures had been removed from the garden. At that time Vriet probably was admitted to a nursery home or he lived in a home for the elderly.

He died at the end of August 2017.

In his article Montebello says: La maison est fermée, le jardin éventré pour livrer passage au temps. Le temps fera son oeuvre, il fera oublier l'oeuvre de ce maçon né à Cognac et qui a, Dieu sait par quel miracle, changé de vie (The house is closed, the garden ripped open to give passage to time. Time will do its work, it will make forget the work of this mason, who was born in Cognac and who, God knows by what miracle, has changed his life).

As soon little or nothing will remind of Vriet's art environment, only some series of pictures will give an impression of this sculpture garden and keep its memory.















these photos courtesy of Ludowski (Flickr, June 2007)

Documentation
* Website Habitants-Paysagistes (Lille Art Museum) has a series of photos by Francis David
* On Flickr an album with photos of the site (2007) by Ludowski
* Another series of photos (summer 2017, when most sculptures already had been removed) on the weblog of Sophie Lepetit.

Video
* A video (June 2019, 2'19") by regional TV Nouvelle-Aquitaine on YouTube shows some creations that still can be seen on the exterior walls (this part starts at 1'14", the preceding part is about la Maison de la Gaieté in nearby Chérac)



first published May 2009, last revised August 2021

Franck Vriet 
Sculpture garden ("Règne animal")
184 rue de Cognac
17770 Brizambourg, dept Charente-Maritime, region Nouvelle Aquitaine, France
site doesn't exist anymore